For the past few years I have been privileged to be invited each July to give a lecture on this topic to the MA students in arts administration at Boston University as part of their London Summer School. There is a lot of sloppy definition about around these four terms and I have used these annual sorties to gradually hone my ideas. This presentation dates from July 2016. Continue reading
This participatory article is from a presentation I was asked to make as agent provocateur at Factorial in October 2014, a meeting of artists and city administrators concerning what to do about the eight dysfunctional art factories in the City of Barcelona. Continue reading
I am interested in the potential of the profile of the average creative entrepreneur to lead us out of our post-Covid doldrums, a profile that can marry the creation of economic wealth with other value-added contributions of strong ethics to return us to as much respect for our social and cultural wealth as Western cultures have given to money since the 1980s. Continue reading
This article is the full text of a presentation I made on 13 September 2012 at Goldsmiths College University of London for the 20th Anniversary conference of ENCATC. The seminar I was contributing to had been asked to consider the item: From the state to the commercial: new models of cultural relations and diplomacy.
My work regularly leads me to interrogate five notions: Continue reading
This article forms part of a series where the benefit of hindsight over a long career allows me to dare to offer advice to younger entrepreneurs and managers. As my responses are often prompted by a query I have received, I find that each input has a better guarantee of being timely, relevant and of good reflective quality – all objectives in my content strategy. In this way they seem to meet a wider concern than just that of the person who asked the question in the first place. Continue reading
This article comes out of an invitation from WOMEX 2011, the World Music Expo meeting that October in Copenhagen, to address the question:
“What are the practicalities, challenges and ethics of world music as cultural diplomacy today? And is it becoming more or less relevant to the sector?”